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Anders Nilsen
(of MOME, Kramers Ergot, and The Believer) is appearing at all sorts of places around the world in a tour ten years in the making. His series Big Questions has finally been released in a massive, toe-breakingly huge tome by Drawn & Quarterly — a far cry from the self-published zines we first encountered it in, when Nilsen envisioned the whole thing as a mere 75 pages long. Right now I think he’s somewhere on the East coast of America, but in October it’s our turn to feebly push heavy books across the signing table while trying to think of smart things to say.

A haunting postmodern fable, BIG QUESTIONS is the magnum opus of Anders Nilsen, one of the brightest and most talented young cartoonists working today. This beautiful and minimalist story, collected here for the first time, is the culmination of ten years and over 600 pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent and stranded pilot is of great interest to the birds–some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group.Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.

BIG QUESTIONS has roots in classic fable–the story’s birds and snakes have more to say than their human counterparts and there are hints of the classic hero’s journey, but the easy moral that closes most fables is left here as open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander out to go where they will.

We currently have the softcover edition in stock for £33.99 which you can see previewed here. Make sure you check out Anders’ blog where he’s cataloguing not only interviews (such as this one with Tiny Mix Tapes) but also putting up sketches of strangers on the subway, photographs of amazing window displays such as this one at Quimby’s in Chicago, and drawings of dead animals and friends’ houses he’s stayed in over the tour. I accidentally lost an hour on it.

If you can’t make this date or find your own personal body to be inconveniently located in a different part of the country, why not go see our potentially-close-to-you pals? Anders will be appearing at Page 45 in Nottingham on Sunday the 16th of October (details here), and OK Comics in Leeds on Monday the 17th (details here). But if you’d rather come and see us, be here at No. 1 Berwick Street, Soho, on Saturday the 15th October. Anders will be signing between 6pm and 7pm, followed by a short talk and Q&A afterwards. And! There’ll even be a limited edition A3 print for every attendee.

Click the full post link below for a tentative list of titles due to ship next week.

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Hallo, it’s Hayley Campbell again, back from my assault training with the Super Army Soldiers or whatever lies Andrew put on the internet in my absence. I was actually looking after an epileptic cat called Benny and watching too many episodes of Embarrassing Bodies. It’s the best show on telly.

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Click the full post link below for a list of items in store this week.

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Sorry to say this signed edition has now SOLD OUT. But we have plenty of unbookplated ones.

Since the release of his semi-autobiographical masterpiece Blankets back in 2003, Craig Thompson has been working on a hugely ambitious book called Habibi. He devoted two years to drawing a thumbnailed first draft, immersed himself in Islamic culture, Arabian Nights and a mountain of research — all resulting in a richly detailed story from elsewhere. Like Blankets, Habibi is a story about love in a deeply religious environment (the literal translation of “habibi” is “my beloved”) – but it’s a far cry from the snowy American Midwest, and set not in the Middle East but somewhere else altogether. “It’s more like a fairytale landscape,” said Thompson to Guernica Magazine, who have an 11-page preview.

Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, HABIBI tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, by circumstance, and by the love that grows between them.

At once contemporary and timeless, HABIBI gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.
“The book is borrowing self-consciously Orientalist tropes from French Orientalist paintings and the Arabian Nights,” said Thompson. “I’m aware of their sensationalism and exploitation, but wanted to juxtapose the influence of Islamic arts with this fantastical Western take. This is a constant theme in the book of juxtaposing the sacred and profane. As for the latter concern, I didn’t consider it much as I personally ascribe to a sort of “magical” worldview rather than rational. The book is concerned with the connectivity of everything.”We have 200 Gosh! Exclusive Bookplate Editions featuring art created just for this purpose, signed and numbered by Thompson himself. At no extra cost than the £20 cover price, this is definitely one you won’t want to miss. If you’d like to arrange a mail order* or have a copy held aside for you, send us an email to info@goshlondon.com.

“Comics can now embrace their natural tendencies to be quiet. They’re like letters. No one writes letters anymore, but they’re actually written by hand. And graphic novels are like that. One person draws every picture. The drawing turns into writing and the writing turns into something visual. It’s something readers consume on their own. It’s not like when you go to your local theater and have a movie sort of wash over you. You take it in intimately at your own pace—like a handwritten letter.”

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*A small note on mail orders: postage within the UK is a flat-rate of £5 so you can add some other stuff to your copy of Habibi and we’ll charge you no extra for the weight. We can send you stuff anywhere in the world but because Habibi is so heavy the postage ends up being greater than the cost of the book itself. If that sort of thing doesn’t worry you then send us an email and let me know where you’d like it sent. I will give you your own personally tailored heart attack.

Click the full post link below for a tentative list of titles due to ship next week.

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Grüezi, Gosh fans! No Hayley Campbell this week, I’m afraid. She’s off on her assault training with the SAS, honing her body into a lethal killing machine. She’ll be back next week (budget cuts), but in the meantime I’ll run you through what you can expect to see hitting the shelves this week. Here’s the deal: I’ll write it quick, you’ll read it quick, and then we can all move on from this awkward, caffeine-fuelled affair. Ready? Here we go…

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Click the full post link below for a list of items in store this week.

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Click the full post link below for a tentative list of titles due to ship next week.

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If you’ve been in the shop in recent days you’ll definitely have noticed the giant orange squid hanging in our window. Plarchie (for that is the name of the beast knitted from Sainsburys bags by Deadly Knitshade) is holding a sign advertising a book launch here at Gosh! on Friday night. In the event he’s doing a terrible job of it, here’s another push: Knit The City is a photographic book about graffiti knitting in London and we’re throwing it a party on Friday night. You’re invited, and so are your friends. Here are the details.

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